Planeverb

Project Planeverb is a CPU based real-time wave-based acoustics engine tailored for games. It works in 2D, handling fully dynamic scenes in a single-CPU-core budget. Technical details can be found in associated publication:

Matthew Rosen, Keith W. Godin, Nikunj Raghuvanshi,
Interactive sound propagation for dynamic scenes using 2D wave simulation,
SIGGRAPH/Eurographics Symposium on Computer Animation (SCA), 2020

It comes with an integration with the Unity Engine, and a C-API for custom integrations.

Code organization

There are two modules: Acoustics and DSP. The acoustics module runs the wave simulation in a background thread, updating dynamic per-source acoustic parameter data like obstruction, direction-of-arrival, and reverb, and the DSP module renders the parameters onto source audio in the audio thread. The DSP module doesn't have an implemented reverb, instead using Unity's built-in reverb.

Background

Planeverb was implemented for the class MUS470 taught by Prof. Matt Klassen at DigiPen Institute of Technology as an undergraduate senior capstone project, with guidance from Microsoft Principal Researcher Nikunj Raghuvanshi. It is based off of the ideas of Microsoft's Project Triton technology used in Project Acoustics. In particular, the use of parametric encoding of wave simulation that model robust diffraction effects. But Project Acoustics does not allow arbitrary scenes changes, like destruction, because of its reliance on a "baking" step for offline high quality simulation.

Planeverb is a forward-looking investigation into the question "What would it take to bring sound wave diffraction effects to fully dynamic scenes?" These include smooth obstruction, sound re-direction around openings, source directivity, and dynamic reverb. We are able to show that if you restrict to two dimensions (like the slice of a floor plan or in an outdoor scene), it is possible to pull this off in real-time on a single CPU core. We hope the code serves as a useful proof-of-concept.

Commerical use / IP

While the code is released with an MIT license and is usable as such, please note that it uses intellectual property from Project Acoustics covered in related Microsoft patents. If you wish to build on the code or ideas in it in a shipping commercial product, please contact @nikunjragh on the Project Acoustics Github forum to discuss further.

Citing / Bibtex

Bibtex key to cite this work (we encourage you to):

@article{Rosen_Planeverb:2020,
 author = {Rosen, Matthew and Godin, Keith W. and Raghuvanshi, Nikunj},
 title = {Interactive sound propagation for dynamic scenes using 2D wave simulation},
 journal = {Computer Graphics Forum (Symposium on Computer Animation)},
 issue_date = {2020},
 volume = {39},
 number = {8},
 year = {2020}
}

Unity Integration Guide

To add Planeverb to Unity, copy the following two folders into your Unity Assets folder:

Planeverb/ProjectPlaneverb/PlaneverbUnityPluginAPI
Planeverb/PlaneverbDSP/PlaneverbDSPUnityPluginAPI

Add 1 copy of the PvContext prefab to the scene.

IMPORTANT: Any changes to either Context script attached to the root object made while in Game mode won't take effect. Changes must be made outside of the Game mode.

Add the PlaneverbDSPMaster mixer as your master mixer.

Note: The reverbs attached to this mixer can be customized! They were designed by a programmer, so there is definitely room for improvement. Feel free to open an issue with parameter improvements.
Note: When customizing the reverbs, take special care not to adjust the decay times/reverb time/RT60 of any of them. These values are specially chosen by the system, and the code assumes that these values are 0.5s, 1.0s, and 3.0s.

Add the PlaneverbListener script to your Audio Listener.
Add the PlaneverbObject script to all objects that are occluders in your scene.

IMPORTANT: The PlaneverbObject script adds the Bounds of the object it is attached to as an AABB to the Planeverb voxelizer. If you have a large complex mesh, or a mesh with any sort of concavity, this will NOT sound how you anticipate. It will be better to make smaller subobjects with small bounds to voxelize the object yourself, and attach a PlaneverbObject script to each one.
This is not ideal, but the only solution for now other than simply avoiding concave or complex objects. Planeverb is not very flexible in it's current state.

Add the PlaneverbEmitter script to all Audio Source/emitters in your scene.