Zero One Two Three Four Stage {"body":"Imagination is more important than knowledge.","author":"Albert Einstein","source":"What Life Means to Einstein: An Interview by George Sylvester Viereck","source_url":"http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/what_life_means_to_einstein.pdf"}{"body":"除了爱，没有什么东西能使我们灵魂出窍，漂浮在相对纯净的半空中观照自己的肉身：它的沉重，它的悲哀，它的六神无主、它的满腹牢*、它的无期徒刑。","author":"连岳","source":"《我爱问连岳IV》","source_url":""}{"body":"子非鱼，安知鱼之乐？","author":"","source":"《庄子·秋水》","source_url":""}{"body":"Entities must not be multiplied beyond necessity.","author":"John Punch","source":"","source_url":""}{"body":"凡是无法说出的，就应该保持沉默。","author":"路德维希·维特根斯坦","source":"《逻辑哲学论》","source_url":""}-e
{"body":"Stay Hungry. Stay Foolish.","author":"","source":"Whole Earth Catalog, October 1974, back cover","source_url":""}
{"body":"「跳舞，」羊男说，「只要音乐在响，就尽管跳下去。明白我的话？跳舞，不停地跳舞。不要考虑为什么跳，不要考虑意义不意义，意义那玩意儿本来就是没有的，要是考虑这个，脚步势必停下来。一旦停下来，我就再也爱莫能助了，并且连接你的线索也将全部消失，永远消失。那一来，你就只能在这里生存，只能不由自主地陷进这边的世界。因此不能停住脚步，不管你如何觉得滑稽好笑，也不能半途而废，务必咬紧牙关踩着舞点跳下去。跳着跳着，原先坚固的东西便会一点点酥软，有的东西还没有完全不可救药。能用的全部用上去，全力以赴，不足为惧的。你的确很疲劳，筋疲力竭，惶惶不可终日。谁都有这种时候，觉得一切都错得不可收拾，以致停下脚步。」我抬起眼睛，再次凝视墙上的暗影。「但只有跳下去，」羊男继续道，「而且要跳得出类拔萃，跳得大家心悦诚服。这样，我才有可能助你一臂之力。总之一定要跳要舞，只要音乐没停。」要跳要舞，只要音乐没停。","author":"村上春树","source":"《舞!舞!舞!》","source_url":""}-e
{"body":"不存在十全十美的文章，就如同不存在彻头彻底的绝望。","author":"村上春树","source":"《且听风吟》","source_url":""}-e
{"body":"That which does not kill us makes us stronger.","author":"Friedrich Nietzsche","source":"Twilight of the Idols","source_url":""}-e
{"body":"每个人都很孤独。在我们的一生中，遇到爱，遇到性，都不稀罕，稀罕的是遇到了解。","author":"廖一梅","source":"《柔软》","source_url":""}-e
{"body":"The mark of the immature man is that he wants to die nobly for a cause, while the mark of a mature man is that he wants to live humbly for one.","author":"Wilhelm Stekel","source":"","source_url":""}-e
{"body":"Reading after a certain age diverts the mind too much from its creative pursuits. Any man who reads too much and uses his own brain too little falls into lazy habits of thinking.","author":"Albert Einstein","source":"What Life Means to Einstein: An Interview by George Sylvester Viereck","source_url":"http://www.saturdayeveningpost.com/wp-content/uploads/satevepost/what_life_means_to_einstein.pdf"}-e
{"body":"Stay Hungry. Stay Foolish.","author":"","source":"Whole Earth Catalog, October 1974, back cover","source_url":""}-e
{"body":"凡读本书请先具下列诸信念：一、当信任何一国之国民，尤其是自称知识在水平线以上之国民，对其本国已往历史，应该略有所知。（否则最多只算一有知识的人，不能算一有知识的国民。） 二、所谓对其本国已往历史略有所知者，尤必附随一种对其本国已往历史之温情与敬意。（否则只算知道了一些外国史，不得云对本国史有知识。）三、所谓对其本国已往历史有一种温情与敬意者，至少不会对其本国已往历史抱一种偏激的虚无主义，（即视本国已往历史为无一点有价值，亦无一处足以使彼满意。） 亦至少不会感到现在我们是站在已往历史最高之顶点，（此乃一种浅薄狂妄的进化观。） 而将我们当身种种罪恶与弱点，一切诿卸于古人。（此乃一种似是而非之文化自谴。）四、当信每一国家必待其国民具备上列诸条件者比数渐多，其国家乃再有向前发展之希望。（否则其所改进，等于一个被征服国或次殖民地之改进，对其国家自身不发生关系。换言之，此种改进，无异是一种变相的文化征服，乃其文化自身之萎缩与消灭，并非其文化自身之转变与发皇。）","author":"钱穆","source":"《国史大纲》","source_url":""}-e
{"body":"春水初生，春林初盛。春风十里，不如你。","author":"冯唐","source":"《大喜》","source_url":"http://www.fengtang.com/blog/?p=368"}-e
{"body":"我们生来孤单，无数的历史和无限的时间因而破碎成片段。互相埋没的心流，在孤单中祈祷，在破碎处眺望，或可指望在梦中团圆。记忆，所以是一个牢笼。印象是牢笼以外的天空。","author":"史铁生","source":"","source_url":""}-e
{"body":"All you’ve got to do is decide to go and the hardest part is over. So go!","author":"Tony Wheeler","source":"Across Asia on the Cheap","source_url":""}-e
{"body":"于千万人之中遇见你所要遇见的人，于千万年之中，时间的无涯的荒野里，没有早一步，也没有晚一步，刚巧赶上了，那也没有别的话可说，惟有轻轻地问一声：「噢，你也在这里吗？」","author":"张爱玲","source":"《爱》","source_url":""}-e
{"body":"In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since. “Whenever you feel like criticizing any one,” he told me, “just remember that all the people in this world haven’t had the advantages that you’ve had.”","author":"F. Scott Fitzgerald","source":"The Great Gatsby","source_url":""}-e
{"body":"凡读本书请先具下列诸信念：一、当信任何一国之国民，尤其是自称知识在水平线以上之国民，对其本国已往历史，应该略有所知。（否则最多只算一有知识的人，不能算一有知识的国民。） 二、所谓对其本国已往历史略有所知者，尤必附随一种对其本国已往历史之温情与敬意。（否则只算知道了一些外国史，不得云对本国史有知识。）三、所谓对其本国已往历史有一种温情与敬意者，至少不会对其本国已往历史抱一种偏激的虚无主义，（即视本国已往历史为无一点有价值，亦无一处足以使彼满意。） 亦至少不会感到现在我们是站在已往历史最高之顶点，（此乃一种浅薄狂妄的进化观。） 而将我们当身种种罪恶与弱点，一切诿卸于古人。（此乃一种似是而非之文化自谴。）四、当信每一国家必待其国民具备上列诸条件者比数渐多，其国家乃再有向前发展之希望。（否则其所改进，等于一个被征服国或次殖民地之改进，对其国家自身不发生关系。换言之，此种改进，无异是一种变相的文化征服，乃其文化自身之萎缩与消灭，并非其文化自身之转变与发皇。）","author":"钱穆","source":"《国史大纲》","source_url":""}-e
{"body":"朝闻道，夕死可矣。","author":"","source":"《论语·里仁》","source_url":""}-e
{"body":"For what it’s worth: it’s never too late or, in my case, too early to be whoever you want to be. There’s no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. And I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you’re proud of. If you find that you’re not, I hope you have the strength to start all over again.","author":"Eric Roth, Robin Swicord, F. Scott Fitzgerald","source":"The Curious Case of Benjamin Button","source_url":"http://www.imdb.com/title/tt0421715/quotes?item=qt0504699"}-e
{"body":"我向旧日的恋人道歉，因为我对新人如同初恋。","author":"维斯拉瓦·辛波丝卡","source":"《在一颗小星星底下》","source_url":""}-e
{"body":"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to heaven, we were all going direct the other way - in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.","author":"Charles Dickens","source":"A Tale of Two Cities","source_url":""}-e
{"body":"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to heaven, we were all going direct the other way - in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.","author":"Charles Dickens","source":"A Tale of Two Cities","source_url":""}-e
{"body":"子非鱼，安知鱼之乐？","author":"","source":"《庄子·秋水》","source_url":""}-e
{"body":"爱之于我，不是肌肤之亲，不是一蔬一饭，它是一种不死的欲望，是疲惫生活里的英雄梦想。","author":"陈丹燕","source":"《鱼和它的自行车》","source_url":""}-e
{"body":"子非鱼，安知鱼之乐？","author":"","source":"《庄子·秋水》","source_url":""}-e
{"body":"与怪物战斗的人，应当小心自己不要成为怪物。当你远远凝视深渊时，深渊也在凝视你。","author":"弗里德里希·威廉·尼采","source":"《善恶的彼岸》","source_url":""}-e